This is the first-known solo exhibition of works on paper by Joseph, that were made and sold in, and featured, the New York City subway system. These artworks capture our gnawing existential dread as it truly is — interwoven with our humanity, humor, beauty, and mysticism. On the heels of Kendrick Lamar’s Super Bowl confrontation with power, identity, and exclusion, Joseph’s art further interrogates the question: who are the outsiders?
Precisely rendered in crayon, pencil, and marker on white 8.5 x 11 copy paper and mounted onto found cardboard, Joseph’s urban landscapes shimmer with shifting perspectives. Figures of stereotypical businessmen are collaged from yesterday’s papers. Streetlights and full moons differ only in scale. His subway trains sometimes rumble contentedly over elevated tracks—other times, they veer off the rails, under siege by hovering UFOs.